My grandson has become a model for me. When the family was here in Cape Town in December, they went all over the place, and the reference for this painting was taken in the aquarium at the Waterfront.


At the end of June, armed with a small 10"x12" canvas, I took myself off to class and asked my teacher, Margie Johnson, to please guide me through a still life. My mind always went blank when the words 'still life' were mentioned - I never saw the point of painting a couple of old pots, cups and a bunch of flowers! But I thought I had to try and the little brown one, which has never been named, is the result.
Since then I have done another one of which I am quite proud. This one does have a name - Cake Mix - and was done on a slightly bigger canvas 12"x16". Every item was white, but mine didn't quite turn out that way.

I have always loved working with my hands, whether it was knitting, potting or just digging in the garden. Painting has always been there, but I never (a) had the time, or (b) thought I was good enough. Now I've realised, you create because you want to, and not for what anybody else thinks of you. One of the elements of creating that I really like is beading. I do it simply because I like it - I never wear jewellery, so I now help my teacher, Maré Abbott by putting together the work she visualises. If you would like to join her classes, e-mail her at tigandme@mweb.co.za. Classes are held in Cape Town, but she does teach in Johannesburg and Durban. Here are just two examples of firstly, beaded beads and the second is based on a Zulu rope design.
This Thursday past, the SA Society of Artists had their annual Eleanor Palmer competition and it seemed that hundreds and hundreds of paintings were entered. This was my contribution - a portrait of my friend, Carol Hadfield's daughter, Tracey. I called it Blue Jeans.
